Bred in the Bone

I always had the impression that my upbringing was not particularly musical. My father Pierre played a little harmonica which he used to do only occasionally when I was very young, but drifted away from in later years. It wasn’t until I turned 13 that I picked up the guitar, which my parents had bought not for me, but for my younger sister Manon. She got bored with it so I took it up. By the time I was 17, I was in my first band.

Just recently, my cousin Marie Claire reposted a picture of her family from the 70s, and it reminded me of the trips we would take every year from Northern Ontario to the north end (my maman’s family) and the south end (my papa’s family) of Québec to visit the relatives.

Now keep in mind that my father is from a family of 12 (plus one child who died at a young age). That made for a lot of people to see.

One of my favourites was the family of my uncle Georges and my aunt Georgette, who lived in the lovely and somewhat isolated community of Saint-Benoit-de-Packington, now simply Packington, QC. My uncle and aunt were both musicians, he played the harmonica, she the fiddle, and every year, a visit there would feature a soirée canadienne, the equivalent of a kitchen party for the Atlantic-Canadians out there. I loved those evenings, all the instruments around, and the excitement it generated. The most extraordinary fact was that Georges and Georgette produced 17 children, most of whom also took to music as a hobby and also performed. This is a picture of that family from the 70s below.

Famille G&G Pelletier.jpg
Standing (left to right): Fabienne, Jean-Guy, Hermance, Reno, Lise, Bruno, Diane, Laurier, Georgette, Yvan, Marthe, Jean-Paul, Marianne, Marie Claire.
Seated (left to right) Philippe, ma tante Georgette, Andrée, mon oncle Georges, Germaine.

My aunt’s brother, Georges Saint-Pierre and his wife Georgette (no points for originality here) would always be present too. The Saint-Pierres played banjo and guitar respectively. I still have permanently etched in my brain an image of Georgette with a cigarette dangling from a very red-lipsticked mouth whipping a slide steel up and down the neck of a very cheap, high-strung Japanese electric guitar.

One year, they decided to do this at a small local spot called Lac Jerry and I think my dad took the photo below of my sister and me below with George S.P.

Scan20042.jpg

IMG_0149.jpgNow, anyone who follows this blog knows I use the stage name Félix, which is actuality my middle name (this came about due to having 3 Roberts in one band back in the 80s). I have always known that name was given to me as a traditional reference to my paternal grandfather, pictured on the right with my mémère Atala. According to my father, he was a decent fiddler himself, although I only have a dim recollection of seeing him play.

What came as a surprise was through Marie Claire tagging the photo of her family, and including my uncle Georges’ middle name, which turned out to be Félix as well!

Perhaps that is an explanation for my life-long love of music, and to a connection to tradition that goes back much further than I had thought. I will choose to believe that!


Politics

It’s this coming Friday I meet with City Councillor Mary-Margaret McMahon to discuss the Toronto Music Advisory Council, and my concerns therein. The media have not been kind to TMAC over the last while, first in NOW magazine this past June, then in Toronto Moon just this week, for many of the same reasons I am meeting the Councillor. I will for sure report back in next week’s blog.


ABC Songwriters’ Circle This Week

This Tuesday, I welcome Andre Dantas, David McLachlan and Eric Sorenson to the song circle. Show starts at 9 at the Amsterdam Bicycle Club. For more information on my guests, you can go to the the Songwriters’ Circle page here.

The weather forecast is calling for a warming trend by mid-week. What better way to celebrate than joining us at the ABC?

Until then, be well, as usual!

signature

Do Unto Others

A fair amount of time this week has gone to mixing a project in ManCave Studio, and preparations for my upcoming meeting with the City to talk about the Toronto Music Advisory Council and the city’s engagement to better live music in its midst, io this one will be short.

Only got out once mid week to check out another songwriters’ circle, this time at the Painted Lady, a lovely bar on Ossington in the west end. Run by the talented Gillian Nicola, it runs in many ways like my Tuesday show at the ABC, other than being monthly, rather than weekly. Former song circle guest and honorary Cat David Macmicheal was on the bill, along with Simeon Ross and Darling Cora. It was a great show and heartening to see so many artists in the city getting a chance to feature their work in a supportive environment, and I’m very lucky to be able to help.

IMG_0119.jpg
Left to right: Gillian Nicola, Simeon Ross, Darling Cora, David Macmichael.

Housekeeping

The demos page just got a much needed tidying up, with all the songs posted included, and now sorted alphabetically. Twenty-two tunes are available for your listening pleasure.


FatC Revival – Follow Up

19511347_708873382619152_4997650028190465027_n.jpgFull FatC fun is coming this spring, with two shows (and potentially more) added to the calendar! The first is back at the Amsterdam Bicycle Club for a Saturday evening show on March 24, and a long-overdue return to the Black Swan on April 7. Add those dates to your calendar as I’ll be introducing new songs and the Cats’ newest addition, drummer Chris Bender, who also regularly performs with good friend Fraz Milne.


Cocooning is Tempting…

…but do try to get out to catch some live entertainment, despite the weather. This week’s ABC Songwriters’ Circle has a very interesting mix of players, ranging from acoustified metal shredding to country by way of soulful punk (yes!).

Be there and be well!

 

signature

In Praise of Glyn Johns

IMG_0112 2
Yup, only 3 microphones. Works just fine!

As mentioned in other posts, I have been gradually building up the capacity here at ManCave Studio to do some full-on recording, which in simple terms means all the instruments, including drums. With limited equipment, this is still a possibility, and I spent the afternoon doing just that, hence the one-day delay for this post. Credit for making simple yet good-sounding recording of drums goes to a British audio engineer by the name of Glyn Johns. His credentials are mind-boggling; see below from Wikipedia.

Johns produced and/or engineered with such artists as Led Zeppelin, The Rolling Stones, The Who, Eagles, Bob Dylan, Linda Ronstadt, Johnny Hallyday, the Band, Eric Clapton, the Clash, the Beatles (Get Back Sessions), Ryan Adams, the Steve Miller Band, Small Faces, Spooky Tooth, the Easybeats, the Ozark Mountain Daredevils, Blue Öyster Cult, Emmylou Harris, Midnight Oil, New Model Army, Belly, Joe Satriani, Ronnie Lane, Rod Stewart with Faces, John Hiatt, Joan Armatrading, Buckacre, Gallagher and Lyle, Georgie Fame, Family, Helen Watson, Fairport Convention, Humble Pie, and many others.[3]

So, yeah, he knows what he’s doing! The upshot is that Johns came up with an ingenious way to record drums with only three microphones – one in the bass (kick) drum, one overhead, and one near the floor tom. The last two have to be at the same distance from the snare for this to work right. A bit and left or right panning makes the whole thing sound larger than life. The course I took at Centennial over the last year or so offered the chance to mic up drums, but we went “new school” with 13 microphones! Going down to 3, in a tiny space like ManCave Studio would be a challenge.

The session went well as the Trevor (bass) and Kevin (drums) were well prepared, so only a few takes were required. Because there is no separate control room in my space, we were hearing a lot of live sound leak through the headphones, so initially, I dreaded what might come out of it, but as soon as we heard the first playback, it was clearly obvious why this recording method was, and still is, very popular. Thanks, Glyn Johns!


Prepping for Politics

IMG_0113Since I have an upcoming meeting with our local councillor, I have been reading through the Toronto Music Advisory Council’s meeting minutes and associated documents, and making side notes. At about the halfway point, it seems very clear that their hearts are in the right place, but it doesn’t change the reason for the meeting, which is to point out a few gaps and talk more about live music at the grassroots level. More as things develop…


Upcoming Shows

This Tuesday, the ABC Songwriters’ Circle is back once more for show #12. I have reorganized the site a bit so please refer (and bookmark) the song circle page to find out who is coming soon, and for a brief review of the most recent show. All the bios for past performers have been moved to their own special page, and listed alphabetically for serving convenience.

Thanks to a tip from a music fan, I am in the process of getting a pass for this year’s Winterfolk XVI, a Blues and Roots music festival that will take place on Danforth from Feb. 16-18, 2018. According to the website, “it’s an  all-ages, mid-winter, weatherproof event, where you’ll find the best of urban, blues, rock,  jazz, country, folk and roots music, emulating a multi-stage rural summer festival”. The ambitious schedule has over 150 artists performing at 5 venues over 3 days. Should give me lots to choose from, meet new potential guests for the song circle, and maybe even consider being part of this for next year, if they’ll have me.


FatC Revival

Things have been pretty quiet of the full-band front since the December show, and even before that, gigs were fairly sparse. I hope to change that soon and changes are in motion. News as events develop!

Until then, be well!

signature

Chloé Loves Me

IMG_0089At least, that’s what her website, t-shirts and buttons say. I had the pleasure of catching Chloé Watkinson‘s new show at the Opera House last night. She pulled out all the stops and delivered a solid set with energy, grace and style. I had seen her before (and written about it) when she was in Park Eddy but this new incarnation raises her stagecraft to a whole new level. I was also glad to see that keyboardist extraordinaire and family friend Alan Zemaitis is still with her from that band. I was thrilled to have Alan also play for me at a major birthday bash a few years ago. It was also thrilling to see her dad, Max Webster alumnus and artist Terry Watkinson, play and sing with her last night. Chloé is a major talent, and you will hear more about her in the future, I am sure. For my part, I am very thrilled to say she will be my guest for the ABC Songwriters’ Circle, along with Augusta Ray and Lucy Dee on February 6. Expect an amazing evening!


And Speaking of Which

The new year kicked off spectacularly with my first song circle of 2018, featuring Kevin Foster, David Storey and David Madras (pictured below to my left). Every one of these songwriters blew me away with their talent. A special recognition though must be given to David Madras who was feeling poorly that morning but rallied and made it to the show!IMG_0077.jpg

This week, the song circle will plumb the depths as it will be a one-of-a-kind, “It’s all about the bass” show. We will hit hit rock-bottom as we feature singer/songwriters performing their tunes with only a bass guitar. How low can we go? Come down this Tuesday to find out. My guests’ bios are on the song circle page.

Header ABC FB #11.jpg


Lovely Write-Up

It was a great surprise and pleasure to discover last Tuesday as I was setting up for the song circle this very kind review by Gary 17 in Toronto Moon (which I have mentioned in the past here. I’ve linked it to the original, which will be larger and therefore more legible.

Screen Shot 2018-01-21 at 6.19.59 PM.png

I hope to see many of you at the Big Bass Bash at the Amsterdam this Tuesday.

Until then, be well!

signature

Ghost in the Machine

Unhappy MacThis post will be brief due to some unforeseen problems with the Old Mac Pro. After a frustrating day trying to get it to reboot, I finally was successful but it required a full OS reinstall, so a lot of settings are off, and I need to go through all that.

Still, a quick run though of the week is possible, starting from the Linsmore show, which was an interesting experiment. Have always liked the sound of two amps together and have a customized setup for that, so it was nice to put it through its paces. With the looper, it made for a big sound even though I was solo. By the way, I am still looking for a a good amateur drummer that wants to be part of FatC. I define amateur in the true sense of someone who does this for love, and would be content with a less-than-pro renumeration, equitably split with the band.


Music City North

Yesterday was the annual New Year’s levee for the riding in which I live. On hand were MP Nathaniel Erskine-Smith, MPP Arthur Potts, and Toronto councillor Mary-Margaret McMahon. The latter is according to city records part of the Toronto Music Advisory Council whose terms of reference state:

The Toronto Music Industry Advisory Council provides a forum for the discussion of opportunities and challenges, exchange of ideas, input and advice, and development of recommendations to:

  • ensure the health, competitiveness and viability of the Toronto music sector;
  • achieve long-term sustainable economic growth and job creation;
  • develop, support and showcase talent;
  • enhance local and global positioning and branding of the city and its music sector;
  • establish Toronto as a respected global centre of excellence for music;
  • facilitate signature events; and
  • collaboratively develop positions on provincial, national and international issues.

The goals of this committee are admirable, and I fully support them (I wrote about this in a previous post). The area of concern, in my opinion, is that support at the grassroots level seems less evidently addressed. The composition of the council appears more tailored towards larger clubs and big shows, so the voice of the local bars and musicians who play in them may be not heard as clearly. Yet, like minor hockey is to the NHL, the support at the grassroots level is what will make the goals expounded in the Toronto Music Strategy sustainable. To her credit, and thanks to a recommendation by friend and avid curler Lorie Fairburn, Mary-Margaret has kindly agreed to meet to hear my thoughts on this, so I will report back once we’ve has a chance to talk.


Show to Catch Today

I am planning on making it out to the Tranzac Club in the late afternoon to catch what I am certain will be a very entertaining and original show of songs and poetry.

ROBERT PRIEST and MAX LAYTON and experience the musical wizardry of BOB COHEN, ALLAN SOBERMAN, MARY HANSON and DAVID HINES. Admission is free! There’s beer on tap! And this month our special guest will be ROB GREENWAY!!

If you’re there, I’d be happy to chat with you about the section above. The more voices I can represent, the better.


ABC Songwriters’ Circle #10

FB header ABC#10

We’re back in the saddle this Tuesday, January 16, 2018 for our first show of the new year and the first in the double digits. Please check out these amazing songwriters’ bios on the ABC SWC page here!

There is lots of energy and eagerness to get back at it, so it will be fun!

Until then, be well!

signature

Lost in Translation

I’m happy to write that I have actually started on my only New Year’s resolution: having more French songs. I felt it times to get back to my linguistic and cultural roots, and frankly, with only one French song in the repertoire, I was clearly neglecting that part of things. To that end, I translated Loud Girl, which may end up called L’audacieuse, and wrote a new one from scratch called Comme une boule de gomme. Both are pending recording but should be done in a week or two, depending on other distractions.

FrancopenmicWhat propulsed this along was meeting Frédéric Boutin at Relish. He plays with a few other Francophones, and coincidentally teaches music at G. E. Cartier, where my three kids all received their elementary schooling. In chatting, it rekindled the idea of more French material which I had backburnered. He also mentioned a French open mic called delightfully Franc’Open Mic, a forum for music, poetry, comedy or almost any performing art that has been operating for over 3 years. The event his hosted and curated by songwriter Kyris Mignotet and actor/playwright Florian François.

The next one takes place at the Free Times Café on February 15, and I fully intend on being there to première at least one of the new songs.


Out and About

I made it back to the Linsmore for my first Indie Tuesday in a long time, since the ABC Songwriters’ Circle is on break until January 16. It was great to catch some people I know well and mentioned in previous posts, and new kids just starting out as well. Kudos to Mary-Elizabeth Gilbert for keeping this format thriving. It’s particularly great for people just breaking in to the scene, and for them often one of their first paying gigs.

On Friday, I was able to catch a set of Leanna Yamada‘s band at Relish. It had been a while since we had worked together in the “day job”, so it turned out to be a lovely reunion. The band sounded great too!

img_0051-e1515345303262.jpg


New Show Alert!

For those who missed the social media messages or the update in this blog’s sidebar, I’m happy to announce a fresh new show at the Linsmore this coming Tuesday, January 9, 2018, opening for Juno Award-winning musician, songwriter, producer, actor, and teacher Russ Wilson of Junkhouse fame. It’s a thrill and honour to be included with this talented line up; I’m on at 8, Paul O’Toole is at 9, Russ at 9:30 and closing the night Homa & Alex at 10:30.

This will be special, so please make the time to come down. Looking forward to seeing you there. In the meantime, be well!

signature

Cookies!

cookiemonster

On any given Christmas, one can be certain there will be at least three garanteed items to eat: turkey, tarte au sucre (French-Canadian sugar pie) and cookies, the latter from which springs the theme of this final post of 2017.

It has been a year of big changes, particularly as I retired from the day job and could now devote myself more to music. Although the Cats have not played as often as I’d like, I have personally never been busier, with vocal lessons (I hope it shows!), recording (more on that later) and the Songwriters’ Circle, all of which are progressing in my view at least as well as I’d hoped.

So, why cookies? As it turns out, my family decided that we would do a Secret Santa style gift exchange to keep costs in line and take some of the stress out of gift buying. Youngest daughter Betsy chose to make her gift, and applied the skills she has acquired over years in the baking business, and particularly her nearly 18 months at Biscuiteers in London UK, where she worked as a bespoke icer (yup, that’s a real job). She made from scratch the musically-themed (+ Batman and sports) cookies pictured below for her sister Lucy‘s (another talented artist mentioned in a previous post) partner Omar, frontman for the Lonely Hearts/Alright Alright, also covered in a previous post. In fact, artistic talent seems to run well in the family as #1 son Sam is an accomplished installation artist, illustrator, and doing a great job picking up the ukulele. Mrs. Félix & the Cats is no slouch either.

cookies


Other Treats

IMG_0033I treated myself to a new piece of gear this Christmas. As I’ve been getting into recording more and more, some of the limitations of working in a virtual interface have become evident, and the need for a tactile interface more greatly felt. The PreSonus Faderport (bottom right) does a nice job of helping automate track levels, and I look forward to putting it through its paces working on the recordings good pal Sal Indigo made at ManCave Studio over the last few weeks. I hope to post some of these, once they’re done and I have Sal’s go ahead. Maybe a few other friends will take me up on the offer to record here as well, so I can continue to learn about the process. Call me!


What’s Next?

The ABC Songwriter’s Circle is on a break until January 16, so this is a good chance to catch other artists perform, perhaps recruiting future guests for the songcircle while I’m at it. There is a show at the Linsmore this Tuesday featuring Amber & Alex (Durette and Matthew, respectively; she co-host of the Legends Thursday Night Open Mic, and he a regular, plus special guest at a previous songcircle), Houndbelly (the duo version—Susanne Maziarz and Steve Koller—of 3 Minutes to Forever, one of my fave bands), and first-timers at the Linsmore The Mysterlees.

Friday evening, I hope to catch former co-worker and talent Leanna Yamada at Relish for her birthday show at 7:30. It will be great to catch up as it’s been a while. I hope to have Leanna guest at the ABC later in the new year; fingers crossed.

In conclusion, I’d like to wish you, dear reader, all the best for a Happy New Year! May it be healthy and satisfying in every way. They might even impeach Trump.

Be well!

signature

The Cats Came Back

This week’s post will be brief, it is Christmas Eve after all and the elves need a hand.

IMG_2351Last night’s show at Relish was good fun, and a great privilege to play on what turned out to be the 6th anniversary of New Music Night. I want to thank family and friends who came out. It’s always heartening to see friendly faces in the audience. As a side note, the show provided worthwhile enlightenment re: knowing one’s limits. I’m not sure if this will stop me for always trying to do more each time I play, but it may inform me in how far to push. Overall, I’m still quite happy with the results; the band—NeMo on bass and brand-new-to-the-job Kimio Oki on drums—did a masterful job working off the charts. We got to hear NeMo’s brand new BSX Allegro upright bass too, so bonus!

Thanks in particular to Relish’s Joanne Clayton, for her unwavering support of live music, which has brought about such a positive change in my life, and for which I am forever grateful. Thanks as well to the staff who are always happy to hear the music and make us feel so welcome. I hope we can do it again in 2018!

So to veryone who reads this post, Merry Christmas and all the best for the Holidays!

Be well!

signature

P.S. Please note that the ABC Songwriter’s Circle is on a break, and back on January 16, 2018!

Added Value

 

IMG_0474
Left to right: me, Sal Indigo, Linda Lavender, Mark Martyre and special guest Darrin Baldwin.

The ABC Songwriters’ Circle is plugging along, and about to go into its 9th week. Whodathunkit!

First, I have to thank Sal Indigo for stepping up at the last minute as originally scheduled guest Jordan Paul was unavoidably called away. He’s been invited back in the new year after he returns from LA.

It was pleasure to play with all the guests, as they kindly let me contribute various noodlings and some bass. It was particularly enjoyable on Linda Lavender’s songs, which I had woodshedded the previous afternoon and which allowed me to unleash my inner wannabe country picker. Turns out that Linda and I have more than musical connections: both our daughters are Rosedale Heights grads and good friends. Whodathunkit!

Now, for those keeping count, you’ll notice that we have one extra person in the picture above. This is a good thing, as it turns out, and not a photo bomb. Mark Martyre pleasantly surprised us not just by the captured intensity and lyricism of his songs but by inviting his accompanist, songwriter-in-his-own-right, and hopefully future guest Darrin Baldwin to the stage on piano. I looked up Darrin and found this bio:

A native of Grosse Isle, MB., Darrin currently resides in Toronto, ON., where he is in the works of a debut EP by the title, “Good Grief, Good Grieving.” This release will feature his piano heavy arrangements and clever lyrics, and surround experiences of grief through a perspective that is at times hopeless, and others hopeful. An honest performer, he has been highlighted for a rich musicality and energetic live show. Darrin can be seen at the 40th anniversary of the Summerfolk Crafts and Music Festival, alongside several other talented songwriters as part of the Youth Discoveries showcase.

The least I could do is give him this plug—never even got the chance to buy him a beer. Thank you!

IMG_0006The previous time this happened, Gary Edward Allen invited Alex Matthew to sit in. I saw Alex along with chanteuse Jaime Redford at Gary’s and Amber Durette‘s Legends open mic, where the pair were feature. It finally clicked in place that I had seen then previously at the Linsmore at one of their Indie Tuesdays. They performed beautifully rearranged standards that took full advantage of Jaime’s excellent control and seemingly effortless range.

After Legends, I caught the last set of one of Toronto’s most talent-laden uprooted-roots bands, Cadre, at the Linsmore. A small (that is SO wrong) but enthusiastic crowd cheered them on, and were wowed by the solid rhythm section with the solid Jeff Dunk on bass and Joey Gaitanis on rhythm guitar, backup vocals and pedalboard-that-ate-New-York, Rob Greenway (remember him?) on drums, back up vocals and sidebar, Cam MacInnes on superb slide/lead, and fronted by the phlegmatic but always entertaining Bill Colgate. These guys perform regularly at clubs around town. You owe it to yourselves to check them out.

img_0009.jpg


ABC Songcircle #9

This Tuesday’s show is the last songcircle of 2017. Please come out to celebrate the Holiday Season with my guests Paula Keast, Lilly Mason and David Israelson.

Guest photos FB#9

So, you WILL be there, right?

Until then, be well!

signature

Game of Throne

My good friend Sal Indigo just lent me a lovely set of old Ludwig drums, which has the distinction of reportedly being owned by one of the first if not the original drummer for the Downchild Blues Band, whose bassist, Gary Kendall, was mentioned in a previous blog. These now sit in ManCave Studio, waiting to be mic’d up for recording.

IMG_0469
Who will next sit on this throne?

This of course got me to thinking about the Cats. These days, performances have been mostly at open mics, where I sit in with the house band, at the Songwriters’ Circle, at solo performances, or duo shows with NeMo. Partly, this is because smaller clubs don’t always pay enough to have the full FatC band out, so I haven’t pursued gigs vigorously. I’ve had the great pleasure and honour to work with top-notch, pro drummers with FatC. But pros are often busy and, small clubs being what they are, time has come to turn the page.

Now I’m looking for a permanently partnered drummer for the group. I’m hoping to find one who understands the financial limitations of small club gigs, has the technical chops to quickly learn and play my stuff, and wants to contribute creatively. That’s a tall order, but I’m happy to wait to find the right fit. Maybe it’s you. Let me know.


Out and About

img_0467-e1512929120922.jpg
Sam Taylor and the East End Love. Left to right> Maia Van Raes, David Macmichael, Jace Traz and Sam Taylor.

Other than the Tuesday Songcircle, I only went out once this past week – on Friday, but made it a combo night. Sam Taylor and the EEL were performing to a full house at Relish and rocking out the place, as they consistently do. Jace Traz was particularly sharp on drums that evening. Must be the shirt and tie.

That was followed by a late jaunt to the Salty Dog for the second week in a row Friday Night Blues Jam with Mike Sedgewick, and playing some of my bluesier/rock ‘n’ rollier tunes with Sean Macauley on harmonica, special guest Jonny Wong on sax, Guenther Kapelle on bass and the legendary Kid Carson on drums. The Dano Pro I used last week got a bit fussy on me this time, but I muddled through, thanks to extraordinary playing by the rest of the group.


ABC Songcircle #7

DSC01827 2
Left to right: me, John Mahler, Arch Rockefeller and Michael Cuddy.

Number 7 at the Amsterdam did not honestly have a huge turnout, but again came through on the originality of the songs and the great discussion on the writing craft that ensued. There was a section of the show that focused on when and how we have “jazzier” chords in our songs (these guys do it far better than me), and another insightful chat about writing about real people without hurting or alienating them. Thanks to John Mahler, Arch Rockefeller and Michael Cuddy—finally got to play along with Sink or Swim, yay!—for being such great guests, and to the ever neatly organized Eileen Boxall for the photo because I forgot to take the usual group shot, doh!


ABC Songcircle #8

This Tuesday, I have the great pleasure of having Linda Lavender, Jordan Paul and Mark Martyre as my guests. Wow! For their full bios, click here!

#8 photos

Until Tuesday or the next time you read this blog, be well!

signature