On Open Mics and Such

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Image from http://www.furious.com/perfect/openmicshows.html

One of the fascinating topics of discussion that came from last week’s ABC Songwriters’ Circle was that of the seeming proliferation of open mics in the GTA — thanks, Kayt Lucas for bringing it up. I admit to having conflicting thoughts on the subject.

On the one hand, open mics were instrumental (yes, groan!) in getting me re-invested in music. Not a must had I chosen to stick to cover material—I’ve started bands and gotten gigs without that—but certainly made playing originals in front of a friendly audience far more reachable. It also hugely expanded my network of musical friends and acquaintances, particularly when I started attending not just to perform, but also to recruit acts for the songcircle. All said, very beneficial from those points of view.

The flip side is that open mics don’t typically pay for the performers, expect for the hosts, and continue to reinforce the notion that music is a free commodity. I have written about that extensively, as have others, so I won’t revisit the arguments. In those situations, the performers’ only satisfaction is in the opportunity to play. Given the large number of talented players and the dearth of venues, this can create very strong feelings with some performers as they sit and wait for their turn, albeit enjoying others on stage. Through alcohol and unrealistic expectations into the mix, and it’s a volatile situation, as was recently witnessed at a local blues jam, hosted by superb blues guitarist Mike Sedgewick.

So what can be done about it? In the short term, limiting the number of open mics to encourage paying gigs sounds good on paper but simply won’t work. Right now, it’s a buyer’s market, so the terms are set by the venues and hosts. There is zero appetite for that, and it’s not likely to change anytime soon. Curating the open mics is already done as well as can be expected. It’s a huge responsibility for the hosts to manage the sometimes dozens of performers who wish to play, without bruising egos, respecting the artist’s talent and commitment, and being conscious of time constraints.

I admit to having come back from open mics disappointed with the way things went, but in almost every case, it’s because my expectations and the reality of the show were out of sync. So below are some constructive suggestions for both hosts and players, some coming from my own mistakes. I hope they will look at then in the spirit of kindness and support they are intended. After all, many of these suggestions are gleaned from their own social media posts.

For hosts, manage expectations by being transparent about how the show is run.

  • Every performer should be informed ahead of time of the song/time limit they have, preferably on the promo material on social media, not just when they sign up;
  • Publish a basic list of available backline gear (i.e., drums, 1 x bass amp, 2 x guitar amps, keyboard), and whether bringing extra personal gear is okay;
  • Create flow rules and stick to them. If it’s first come, first served, don’t have your best mate jump the queue;
  • Avoid as much as possible matching up performers who don’t know each other; that can sometimes work, but if it doesn’t, guess who’s blamed;
  • Monitor the acts and keep them on pace;
  • Try to be equitable in the long run, meaning that if you curate the order, rather than FCFS, if an act played late in a past show, try to put them early.

For performers ( I include myself), be aware of the context of the show and the common courtesies expected.

  • Check out the show before signing up. It may not be a good fit for your style/genre;
  • Read anything posted about the open mic so you know how the show is run. If nothing is online, ask friends who have done the show or contact the host directly beforehand. Preconceptions may result in disappointment;
  • Be aware of the distinction between a jam and an open mic. The terms are often interchanged but there is a difference, and sometimes a crossover;
  • Come prepared to have fun. It’s not a showcase;
  • Tune before hitting the stage;
  • Don’t fiddle with the PA or complain about the sound, at least on stage. You can and should politely advise the host after your set if it benefits others though;
  • Don’t bring too much gear (I have to remind myself of this…); however, an extra cable, battery, pick never hurts;
  • Originals are great, but not for some open mics. Know this;
  • If originals are acceptable, bring charts if you want the rhythm section to sit in;
  • Ask the host when you can expect to play. It’s not rude to do so, and if the time is too late for you, bow out gracefully, and try again another time showing up earlier to sign up. If you keep being pushed to the end, this open mic is not for you;
  • Listen to the other acts courteously if you expect the same in return;
  • Always thank the hosts after you’ve played; link to your social media as you both benefit.

I’m sure there’s more so please send me any further ideas and I can include them in a sidebar or special page down the line.


This Friday, Dock on Queen

The band will be performing a special “unplugged” show at a new venue for us, the Dock on Queen this coming Friday, May 4th from 8 – 10 PM. We have been working hard on reformatting the songs for acoustic, so this promises to be an extra special performance. We are very excited about the changes it makes to the sound and invite everyone to come check this out, and the beautiful surroundings of this licensed café.


This Week at The ABC Songwriters’ Circle

Last week, the songcircle was on my birthday and I am hugely grateful to my guests for inspiring songs: guests Frank Patrick especially considering how sleep deprived he would be the next day for an early start at work, Kayt Lucas who provided so much inspiration for the discussions and K Lee Wilde who brought out a fun and attentive group of friends. Nice hat too! Thanks to family and friends who continuously support this ongoing adventure and a tip of my hat to the exotic dancer who made my birthday an event to keenly remember. You HAD to be there!
This week for show #25, I welcome singer and songwriter Amber Durette accompanied by guitar whiz kid Alex Matthew, energetic pop/rock act FourOneSix’s front man Brent Lunney, and roots/Abénakis/French-Canadian influenced performer Mimi O’Bonsawin.
Songwriters! Now Booking for July! If you want to be part of this, email me at ABCsongcircle@icloud.com for more information. Please include an artistic biography and links to demos or performances online.
I hope you will make it down for this excellent group of artists. Good food, drink and music await and no cover!
Until then, be well!
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ManCave Rumblings

LogicThings have been busier over the last few weeks here at ManCave Studio. Besides working on my own songs, I have had the great pleasure to record good friends Sal Indigo, Gary Edward Allen, Susanne Maziarz and Steve Koller (aka Houndbelly and formerly Three Minutes to Forever), and Leanna Yamada with Chuck Majic and band. Leanna has also recorded most recently some simple solo demos of her own compositions. I want to thank all of them for putting their trust in me. It has been a great learning experience as I perfect the art and craft of recording. I am also looking forward to a visit for a producer I hugely admire, Rob Greenway (Brillianfish) for some insights and valuable pointers. These demos are still being tweaked so not ready for release, but I hope to be able to provide links to them in the near future.


This week at The ABC Songwriters’ Circle

 Last Tuesday was a lite version of SWC #23, as we were only three and the club needed to close early for renovation work. We all enjoyed great songs from my guests Andrew Mazzolin and Chris Willson, and some lovely interactions with audience members! Thanks all!

Songwriters! Now Booking for June! If you want to be part of this, email me at ABCsongcircle@icloud.com for more information. Please include an artistic biography and links to demos or performances online.

This week, I welcome poet, singer and mandolinist Kayt Lucas, troubadour, storyteller and songwriter Frank Patrick, and wild child Karen Wilde. It’s a special night as someone (could it be me?) is celebrating a birthday. Please come and join us at the Amsterdam Bicycle Club. Until then, be well!
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The Road to Nowhere

Warning! This post may get ranty, so you may want to stop reading now. You’ve been warned…

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Image courtesy http://www.theredheadriter.com/wp-content/uploads/2014/04/ROAD-TO-NOWHERE-INTERSTATE-SIGN.jpg

Back in January and February, I wrote about meeting with city politicians regarding the stated aims of making Toronto a “Music City“. While the meeting seemed to bode well, time has passed and the follow-through has finally caught up with my expectations at the outset: all of this is a well-intentioned but ultimately vaporous bit of political PR.

When you look back and connect the dots, the pattern emerges:

  • a mayor who declares he wishes for Toronto to be Music City North but has so little understanding he believes the music scene is healthier today
  • window-dressing events like YYZ Live that have been referred to as “Spinal Tap” moments by local players who have performed at them
  • a bloated and promoter-heavy advisory council (TMAC) that is so uninvested it could not even achieve quorum at its last meeting, and the next meeting scheduled for April 23 still has no agenda published
  • significant portions of the budget (when there was one) spent on junkets and high-visibility but low impact promotions
  • political “leadership” on this council that lacks the understanding and commitment to this issues: the chair Josh Colle is also chairing the TTC (how much time can he really invest in the Music City initiative?), and Mary-Margaret McMahon who has already declared she will not run again

All together, these indicate that this is a “wouldn’t it be nice” initiative, but once it became evident that a few bands in Nathan Philips Square and and the airport do not a Music City make, a lot of appetite for the real work of solving Toronto’s music infrastructure problems seems to have been lost. It’s not that even TMAC was unaware of the issues; going through their material, it’s clear those concerns were identified (small venue solvency, “noise” regulations, music taken for granted as “free”), but these are difficult problems to solve and no one on the political level appears to have the vision, time or energy to take it on meaningfully. And perhaps that is not a reasonable thing to ask of our politicians. If so, then the vacuous pronouncements should stop, and the advisory council folded as it does not have the confidence or represent the interests of grassroots club musicians who are ultimately the foundation of the musical community. I get the sense this is where things are headed anyway, as neither councillor is responding to follow-up emails about the issues Rob Greenway and I raised at our February meeting, and the anemic attendance at the TMAC meetings.

This is likely a problem musicians will have to solve for themselves, hopefully.


This week at The ABC Songwriters’ Circle

 Last Tuesday was a very fun night with some very nice people! Best part was the impromptu dead fish song. You had to be there. Thanks to Todd AalgaardJustine Giles and Shannon Roszell for great songs and company!
This week, I welcome musician and filmmaker Andrew Mazzolin, swampy blues and ragtime singer/songwriter John Ross, and coffee house veteran Chris Willson for show #23. Please note that the show will start earlier this week (we’re aiming for 8:00) as the club is closing early for maintenance work at 11:00 PM.
Please come and join us at the Amsterdam Bicycle Club. Until then, be well!
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Kindness

Last night, Félix & the Cats played the first show back at the Black Swan in over 2 years. I want to thank fans, friends and family who came out to support the band, in particular Jen who helped out with the tip jug. It made a big difference. Huge thanks to Carlo on sound and co-owner Bill for his understanding and generosity.

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It was only our second gig in the new format, and new drummer Chris Bender brought an extra level of fun and energy that was the perfect addition for the band. I haven’t since bassist NeMo this enthusiastic about a project in a long time. The extra vocals added a massive layer to the sound. I’m chuffed. Our next FatCats shows will be an “unplugged” show at the Dock on Queen on May 4 (it starts nice and early at 8 pm so no excuses for early birds!), then back to the Amsterdam Bicycle Club for the regular electric format on May 26.


This week at The ABC Songwriters’ Circle

A lovely evening of laughter and song! Thanks to my guests Boris Buhot, George Lazarus and Mary Ocelot Stewart for taking time from busy lives to be part of this show. I hope you has as much fun as I did. Also much gratitude to the friends – Dean McKinnon, David Macmichael, William Meadows, Chelsea Imogen, Tyler Ellis, Wilde Lee Karen, Chris Willson, and … apologies if I forgot anyone! – who came out on a rainy evening to encourage us (and to sit in – thanks David!); it was truly appreciated!

This week, I welcome writer and bike enthusiast country-folk singer-songwriter Todd Aalgaard , folk-pop singer-songwriter Justine Giles and indie rock songwriter Shannon Roszell. It bodes very well! Please join us this coming Tuesday, starting at 9 PM at the Amsterdam Bicycle Club.

We would be happy to have your company!

Until then, be well!

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Windfall

img_0384.jpgI am considering retirement after this actual windfall tip donation for four of us at a recent show, shown here. Some will go towards guitar picks and the rest I am considering as a charitable donation to the Toronto Musical Indifference Society.

Please enjoy this first of April day!


This Week at the ABC Songwriters’ Circle

The night of the Major 7th! Thanks to last night’s talented performers, Daniel James Clarke, Sahel Usin Rojas and Tara Smylie for a amazingly diverse set of songs. Everyone brought an truly different approach to songwriting despite the occasional common above-mentioned chord, which was the unifying thread perhaps. This never gets old!

This week, I will welcome Boris BuhotGeorge Lazarus, and particularly Mary Stewart who, as an experienced song circle host, provided me some very good advice when I first started this weekly event. I hope I live up to the standards of her shows.


FatCats Live at the Black Swan

For those who know me, or simply check out my Facebook profile, you may be aware that my birthday is fast approaching. So what better way to celebrate that than to come to the next Félix and the Cats show at the Black Swan this Saturday, April 7 at 9:00 (no cover – pay-what-you-want). We hope to see a good bunch of you there and appreciate the support!

FatC Black Swan Apr 7

Until then, be well!

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