Limited Edition

This is a teaser, which I hope will end up meeting expectations.

When I was teaching, I noticed that often the most creative ideas occurred when there were limits imposed. This is not anything innovative on my part; perhaps I should have read more professional literature. This article from Fast Company goes into the subject in greater detail.

Still, that experience stuck with me, so I recently decided to test myself by imposing clear parameters to the writing of the next song: a common root note for all the chords and constrained writing for the lyrics (inspired by It’s still in development so no previews yet, but so far, it’s producing interesting results.


Live music is making a comeback, and I’m very glad that is happening for a lot of reasons. I hope musicians and audiences alike will continue to be safe. It’s tempting after months of being cooped up to want to celebrate, and adding alcohol into the mix could make some people forget themselves and the sanitary habits that have kept the pandemic relatively contained. Perhaps more than ever, it’s important to be cautious.

Until next time, be well!

Autoneurotic Channelization

I don’t have very good pitch control when it comes to singing. That’s all on me as I should spend more time exercising it. I did pay for the lessons after all, and might still be attending had my coach not moved out of town—good for her too as she has started her own studio and is engaged as well.

To make up for the most flagrant warbles, I have gone over to the dark side and started using what my Digital Audio Workstation (DAW) calls Flex Pitch. When applied in moderation, pitch correction helps correct slight (ha!) variations from true pitch, but when applied more thickly, an exaggerated correction results in an effect made initially famous by Cher in her smash hit Believe, and heard ad nauseam in modern tunes ever since, the infamous auto-tune.

I’ve also had a hankering to haul out my underused Danelectro 12-string electric (shown at right) and write something old school riffy.

Why not put both together? Yeah, that’s the ticket!

Add to that the ever-present phenomenon of someone ignoring a conversation when “lost in a good phone”—or how some audience less-than-attentive audience members behave—and you have the foundation of this latest original. This version for now is limited by me on all instruments, except drums, which are programmed on Logic. I’m hoping to update once the boys in the band can apply their magic. Hope you like it.

Auto-Tune Me Out ©2020 R. Pelletier/Feelix & the Cats

Until next time, be safe and well!

More Goodness

Just a short one this week, as I spent most of the day dealing with an appliance malfunction.

The Stir It Up Someday compilation is getting good reactions. Gary17 who puts out the Toronto Moon guide to live music included a nice writeup in today’s edition.

I’ve gone back and listened to the album again and continue to be impressed with the quality of this project, especially considering the challenges of working remotely in many cases.


And speaking of remote projects, here is one covering acoustically U2‘s With Or Without You. The bassist worked with me as a music teacher at a school for a year. She impressed everyone with her creativity and organization, and the kids loved her!

Until next time, be safe and be well!

Stir It Up Someday

At some point during the pandemic, the idea came about to compile a bunch of COVIDish songs by the Relish Sunday night open mike, well known in Toronto musical circles as Stir It Up Sunday, hosted by David Macmichael and Paul Brennan.

No photo description available.
Stir It Up Someday is available on Bandcamp
Producer – David Macmichael 
Artwork and Production- Shorty Brybry 
Mastering and Production – Ben Wood 
Executive Director – Dan Boggs 

Here is the story as told in the liner notes:

This album is dedicated in loving memory of Steven David Morrison. 

Stirred. Not Shaken. 

Their single mingled voice emphatically proclaimed “Please join us next week when we will do something similar…yet somehow…completely… different!” 

Cohosts Macmichael and Brennan’s signature sign-off capped February’s final Stir It Up Sunday same as all five hundred and something antecedent Sundays. Then came COVID. 

Beauty blooms from the gloomy darkening of East Toronto’s premiere long running weekly open stage. For ten years Stir It Up Sunday at Relish Bar and Grill is where some of the city’s most creative songwriters and musicians gather weekly to sing, play, dine and drink.

Listen as this eclectic collective of artists comes together to create the wonderful Stir It Up Someday. The show that will not be shaken.

The playlist is impressive! I am humbled to be in such amazing company: (the late) Steven David Morrison, Dan Boggs, Jace Traz, Julian Taylor Band, Super Not OK, Mauve Grove, Arch Rockefeller, Mudlust and the Short Walk, Timothy Sheldon, Felix and the Cats, brilliantfish, Paul Brennan, Tom Rich, Sandra Bouza, Die Geschichten von Bargrave Willianhurst, Sal Indigo, Tyler Ellis and Mark Thackway, Ben Wood, Mr Kyle, Michael Cuddy, Liniaro & JP, Dean McKinnon, GardenOf, David Macmichael, Fraz Milne, Chris Scian, Bryan van Dusen and Johnny Ness.

I want to thank everyone involved in this project. For me, it’s especially momentous as it’s my first real song release. Particularly special thanks go out to Dan Boggs and Sal Indigo for having the Cats, Neil, Chris and I, “bigify” your songs. I learned a lot, and still have long way to go to make my recordings sound really pro, but I’m trying! Finally, a huge thanks to Joanne Clayton of Relish for the crucible!

Be safe and be well!