What A Week!

There are more things in heaven and earth, Horatio, 
Than are dreamt of in your philosophy. 
 Hamlet (1.5.167-8), Hamlet to Horatio


Pierre Pelletier (1933-2019)

It’s been an intense week as I had to deal with the death of my dad. It wasn’t completely unexpected as his health had been in decline, but as these often go, one can never be sure of when it will actually happen. So I sadly wasn’t able to be there when he passed but did travel to Rivière-du-Loup the following day to take care of the consequences. It’s ongoing…

My dad was an fun-loving man until his health started to fail. His lifelong interest in politics often fueled it chats. For the last few decades until three years ago, he would spend the winter in the Dominican Republic. This led to the writing of my song The Final Winter. I am reposting it in his memory.

Final winter – 2017-01-04, 3.17 PM

Be well!

Remue-Menage*

Black Swan with Omar.jpgThis weekend, on Sunday, November 3, this is happening! We played this slot back in the summer with special guest Salabama. This time, it’s Omar Saab, lead singer for the Lonely Hearts, who will be sitting in after cramming to learn two sets of my wacky tunes, then doing a feature set with the Cats and I as his backing band. It doesn’t get better! My turn to cram for his tunes!

And, as the showtime is a very reasonable 4 to 8 pm, there isn’t really any “school night” excuse for this one so we are hoping for a lot of interest. Great for the early-to-bed crowd too!

This is a one-off performance, so it’s worth your while to catch the show!


Out and About

Last Tuesday, I attended one of the best shows I’ve seen in a long time at the Linsmore. Organized by violinist (and many more instrumentalist) Daniela Gassi, whom I featured in a previous blog from when she recorded at my studio, the evening featured three sets in which Dani participated.

IMG_2476 2.jpgThe first was with bassist/guitarist Liam Gerussi. A mix of covers and originals by both Dani and Liam, it already promised to be a great night for captivating performances, with many instruments used as well!

IMG_2484Second up was Leanna Yamada, who I’ve written about before as well. This was the best performance I’ve ever heard her give. It was a real treat to hear Dani and Leanna play River Town with the arrangements they had developed at ManCave Studio.

IMG_2494Finally, and a brilliantly surprising end to the evening, was Menage, Toronto-based, progressive, alt/pop/rock sibling group Menage features siblings Fernando (guitar/vocals) and Bela (keyboard/vocals) Ferreira. With popular releases in Portugal and China (yup!), Menage is set on furthering their recognition in North America. They certainly got my attention! I now REALLY want the EHX Mel9 “Mellotron” pedal!

Here is their final song of the night, with Dani sitting in (yes, I know, should have been in landscape!).

They will be at the Piston on November 5 (you owe it to yourself to catch this show!). For a further sampling of their sound, check out the above linked website or their Facebook page here.


*The title is a French play on words – remue-méninges = brainstorming


Until this Sunday perhaps, be well!

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Go Pro

Some recent social media posts have got me thinking more deeply about the oft-read rant regarding “amateur” musicians “stealing professional” jobs. It is the last quoted word that got me curious.

What does it mean to be a “professional musician”?

At the far end of the scale, it’s obvious: musicians who earn their entire livelihood from playing music. Easy enough!

But what about, say, someone who works in a music store and plays shows in the evenings and on weekends? Does the day job disqualify that person from the professional ranks or is working in a music store a mitigating factor?

Okay, let’s take that further. What about someone who work instead as a server in a live music venue? Does the place of day employ shield a musician from being ranked amateur? What if he/she/they work in a doughnut shop?

Is it a question of how many hours performed vs. the day job?

Perhaps I’m looking at this all wrong…could it be a question of expertise or raw talent? Is it attitude and the ability to please an audience? Is it originality?

I have my own ideas, but I’d like to hear back from you, dear readers. Just leave a comment if you wish.


FatC Relish Sept 21.jpgThis Saturday the Cats Will Play

After a good and hot rehearsal last night working through the four new tunes we hope to launch, the Cats are raring to go this Saturday at Relish 2.0. We kick off at 9:30, but please come early for the food and former ABC Songcircle guest One-Eyed Oracle (aka Boris Buhot) playing from 7 to 9.

Make it a full evening of live entertainment!

 

 

 

Be there and be well!

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2.0

The band is very excited to be back for the first time (?) at the new Relish 2.0 at 511 Danforth this coming September 21, 2019.

We hope to introduce a few new songs that I have tried out at the open mic and one world première, so it should be a special evening on all counts. You can subscribe to the band’s event calendar here, should you wish to be kept up to date while avoiding social media overload.

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Be well!

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Swampy

Again, just a short update this week. The Salabama show at Relish 2.0 went great, thanks to solid playing by Sal himself, Tony Oldland on bass and Paul Brennan on drums. Special thanks to the brilliant Sean McAuley on harmonica too, and to Rick Henry for a superb mixing job and for having the nerve to tell me to turn down! It’s always a fun privilege to play with Sal and have the chance to try out live the arrangements we’ve worked out in the studio sessions at ManCave. Here’s a sample courtesy of Dave Correia with one of Sal’s originals, Swamp Chickin.


Upcoming Gigs

TheCats have been on low-profile for most of the summer, but a few shows are beginning to line up for the fall. September 21 will be our first time at Relish 2.0, then October 15 at the Linsmore Tavern with special guests, and finally (so far) a Sunday matinee at the Black Swan with special guest Omar Saab of the Lonely Hearts.

That’s all for this week!

Be well!

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Risky Business

The lure of things new, shiny and tenuously linked has always been irresistible for me. This week’s surprise last-minute show at the Linsmore (this Tuesday, June 11, 2019 – 10 pm, for those interested) is a case in point. Not content to stir the pot by subbing in the amazing Omar Saab, lead singer of the Lonely Hearts, for his live debut on bass, as NeMo had a previous commitment, I have also decided to try out a new rig, shown below.

Why not!

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Traynor Quarter Horse 25-watt pedal/amp, the mini pedalboard, Tokai Talbo Blazing Fire guitar and Rexx single-12 speaker cabinet.

Now, these are (almost) all components I have used before, but never in this combination. The binding characteristics is that 3 of the 4 parts of the rig spark joy (those who have seen the clutter in the ManCave may laugh at the irony). All are connected to my past career at Yorkville Sound. The obvious link is the Traynor Quarter Horse which I just picked up this week as the sale price was irresistible (see the pattern?). I was very impressed with the sound right out of the box, particularly when paired with the Talbo, a product line Yorkville distributed in the 80s, and the Rexx speaker, designed by Yorkville (again) alumnus George Krampera. I’ll let you know next week how it all works out.

Also performing that evening will be Ian Alexander Robson at 8:00 PM and Dingo at 9:00 PM. The Facebook event link is here.

So, I do hope you will be there to support live music. Plus the beer is cheap!


Coming Soon

On Sunday June 23, The Cats will team up will Salabama (Sal Indigo) for a special matinee show from 4 to 8 at the Black Swan. More details as we near the date.

FatC & Sal Black Swan June 23.jpg

Be well!

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Hunkering

Super thanks to loyal friends and fans who made it out for the Black Swan show this past Saturday, considering how many other things were happening as it was Easter weekend.

A special thank you goes out to Fraz and Emmy for being there so often, and to Kevin and Jen for impeccable sound. Particularly, I want to recognize Monkey Fightin’ Snakes for an awesome opening set.

 

 


More Upheaval

Work is about to begin in the basement area leading to ManCave Studio, so there may be some disruption to the blog over the next month. The good news is that this has forced us to tidy up and purge a lot of accumulated memorabilia. During that process, some interesting artefacts have surface. Here’s one with a shoutout to the Nerve, a band I worked with a few years back.

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L to R: Alex Vos, David Israelson, Richard Scarsbrook and me.

There may be some show announcements soon…tbc. In the meantime be well!

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Café Solo

I haven’t played a solo show in quite a while, so today’s show at Might & Main Café was pleasant, rewarding and more intimidating than I expected. Overall, it went well with flubs well-disguised and a forgiving audience—thanks!

Thanks to Phillip Vonesh and the staff for the opportunity to stretch outside my comfort zone.


Upgrades

The studio just got a major monitor upgrade, going from the solidly serviceable Yorkville YSM-5s to beefier and crisper Yamaha HS8s. Of course, now I have to remix everything accordingly! So that’s where I’ll be up to for the next long while I think.

More as progress ensues…

Be well!

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Substantial Completion

Finally!

After weeks of work, the isolation room is essentially done.

Here are a few pictures to illustrate.

From top left: the “sauna” with main wall closed—padded door is on the right; the same with front wall open (this is for accessing the mics and drums easily from the front side—it’s pretty tight in there—and moving gear in and out easily; view from the front with wall open; view through the regular door. Bottom row: overhead paired mics in XY pattern—I had previously used the ORTF method but clip limitations make that challenging; cable conduit and sound maze vent for air—drummers with a good oxygen supply keep better time. Bottom right: the drummer’s perspective.

I’ve also added extra cabling so the room can double as a vocal booth or iso booth for amplifiers on overdubs.

Further tests will have to confirm whether it has reduced the outside levels as much as hoped for, but a quick check gives hope that it has gone from unbearable to somewhat annoying, at the very least.


Gig Alert!

While I haven’t stopped playing entirely (a few open mics here and there), it has been rather quiet on the performance front lately. That is about to change as the Cats are back at Relish very soon on Saturday March 2 from 9:30 to 11:30. Please put THAT on your calendars, why doncha!


Winterfolk

This weekend, I will be volunteering at Winterfolk XVII, an annual music festival held in 3 clubs near Danforth and Broadview. You can find me at the Black Swan running cables and setting up mics on Friday and Saturday, then on Sunday evening MC’ing on the 3rd floor at the same venue. Should be a fun gig. More info including the full lineup of artists and ticket prices at the Winterfolk site here!

Until then, be well

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