It took a little longer than expected, partly for reasons shown in the photo below, but the next single is finally out on Bandcamp.
Auto-Tune Me Outcould be interpreted as the listener pleases, of course, but to me it resonates as a comment on how live performers in clubs (way back when) would sometimes be ignored. I introduced this song as a demo last August and this is the finalized product. A massive thank you to Chris Bender for hours of work on drums and backup vocals that really make this track pop. Also, thanks to my vocal coach way back, Jaclyn Serre, whose guidance and advise provided inspiration for the lyrical metaphor.
I’m hoping to have another tune ready for January, provided the migration from my 2008 Mac Pro to a brand spanking new Mac mini M1, a new OS AND a new Focusrite interface goes smoothly. So far so ok…some plugins don’t work so workarounds will be required.
Finally, it’s with great sadness that I heard that Relish Bar & Grill closed its doors for good this week. They hung in there valiantly but pandemic and financial pressures were too much for owner Joanne Clayton. Her farewell comments on social media held a note of optimism for a rebirth down the line. Let’s hope so as Relish was a deeply significant turning point in my life. I will always be grateful to Joanne and all her great staff, and ready to help when the phoenix rises again from the ashes.
Lately it occurs to me what a long, strange trip it’s been
The Grateful Dead
Those who know me well have heard me talk about finally putting out my music…for a while now.
The day has finally come.
Although one song has already been put online through the Stir It Up Someday compilation, this current release is the first officially on the Félix and the Cats “label”, and a staple of our regular set list, in those days when we actually played live.
I want to thank Chris and Neil for sticking with me and going above and beyond in getting me the tracks to finally get this one properly recorded. Any errors in the mix are my own, but never let the perfect be the enemy of the good, or at least kinda okay.
This pandemic-enforced isolation has provided an opportunity to spend more time and energy on recording projects. Other than catching one live show (Fraz Milne’s Looper Madness at Relish), things have been consistently anchored to home.
This has provided an opportunity to work on new songs, some in the works as I write this, and collaborating with the band to record parts remotely.
However, and with all the necessary precautions, a few sessions have taken place here down in the ManCave, namely with Arch Rockefeller to track drums played in the cozy drum booth by the masterful Alonzo Moore for an upcoming album. Both are consummate professionals and I thank them for their patience as I continue to learn better techniques to record. The opportunity to get more and better gear is a benefit as well.
I’ve also had a chance to work with other friends to mix their songs: Salabama’s upcoming full album release has been pushed back due to the pandemic, so the plan for now may be to release singles as the tunes are done and mastered. There should be something up soon, so keep your eyes open on social media.
Chris Scian has also been a guest to discuss mixing techniques, which led to a reissue of his song Frontline, which is embedded below.
Lastly, Omar Saab, frontman for The Lonely Hearts, and soon to be son-in-law, has been beavering away in his home studio in Hamilton on original material. His first release, under the Mean Streaks banner is Teenage Rush which is also included in this post. Omar also put together the video for this song.
I hope you will take a moment to listen to these two artists’ songs.
I should have another post for you in November, provided the pandemic doesn’t get in the way. As such, as urge everyone to be extra cautious as we enter this second wave.
One benefit to the pandemic has been a chance to re-examine the tasks to which I have committed myself. Some new ones have been initiated, some strengthened, and a few may have to fall by the wayside.
Amongst the latter, this blog has been a consideration.
After some reflection, I have decided to change this blog’s publication frequency as compelling content seems harder to come by and, as you may have noticed, the length of the posts has grown shorter since I began a few years back.
Starting this month, the posts will appear monthly and will feature a greater number of smaller announcements, in many cases likely summaries of social media posts which I hope to make better use of. It will also allow me to devote more time to recording and practising, which need attention.
Things are in the works so there will be content, which I look forward to sharing with you next in October.
Again the days have drifted by and I lost track of “post day”, four days ago.
Still, better late than never.
This week’s post will be about one of the new songs written during the pandemic, although not specifically inspired by it.
Rather, the idea of things happening due to odds, the hope to beat them, and simply the concept of numbers themselves have fuelled this latest song.
Layered over that, I set myself the challenge of working in different time signatures (again numbers). This one has three – 7/4, 4/4 and 6/8. Huge thanks to NeMo and Chris for bass and drums, remarkably done remotely!
The title comes from the classroom game played many times when I taught.
This week, I’m featuring another fellow musician who has recently posted some interesting remote collaborations on social media.
I got to know about Joanne Park from her appearances at Relish and through her posts. Not only is she a great and fearless bassist (playing and singing Yes songs unaccompanied save for her on bass is remarkable), she also plays a great guitar, particularly in the Chet Atkins and Jerry Reed style.
The video below is Supertramp’s Logical Song, and besides Joanne, includes Joan Marshall on keyboard and Kristen Prince on saxophone. Worth a listen!
Thanks to Gary17’s weekly post, I was pointed in the direction of this quite spectacular cover of the Queen/Bowie classic Under Pressure. Please check out Gary’s post at Torontomoon.ca for details of the line up and how this video came to be. Also, please consider subscribing to his newsletter if you are a musician or a fan. It’s the least we can do to show support back for someone who has never given up on live music.
The days are drifting into one another. Partly why this post is late.
Anyway, now that heat has finally arrived in Toronto (nearly 30° today), there is impetus to install the window AC unit that had been sitting in storage since the rest of the fenestration was updated.
I’m happy to report it’s done. Even with only me in there, the computer and the rest of the electronics in the old MaCave put out quite a bit of heat over the course of a recording/mixing session. No excuses now to avoid ongoing projects.
Over the last week or so, I have engaged in exercising the one element that can improve my mixes in the old ManCave Studio.
Thanks to a suggestion by respected producer and excellent communicator Warren Huart on his brilliant YouTube channel called Produce Like a Pro, I subscribed to SoundGym, a pay-for-use website that lets users develop audio acuity through games that test a variety of skills all related to recording, mixing and production.
For instance, identifying the relative levels of instruments in a mix, or which frequency is bested in a sample, and so on. The result is less time guessing what to do to fix and improve recordings, as well as more confidence.
I am finding both very useful. Check them out – there is a free trial on SoundGym so you don’t have to immediately commit.