2.0

The band is very excited to be back for the first time (?) at the new Relish 2.0 at 511 Danforth this coming September 21, 2019.

We hope to introduce a few new songs that I have tried out at the open mic and one world première, so it should be a special evening on all counts. You can subscribe to the band’s event calendar here, should you wish to be kept up to date while avoiding social media overload.

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Be well!

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Swampy

Again, just a short update this week. The Salabama show at Relish 2.0 went great, thanks to solid playing by Sal himself, Tony Oldland on bass and Paul Brennan on drums. Special thanks to the brilliant Sean McAuley on harmonica too, and to Rick Henry for a superb mixing job and for having the nerve to tell me to turn down! It’s always a fun privilege to play with Sal and have the chance to try out live the arrangements we’ve worked out in the studio sessions at ManCave. Here’s a sample courtesy of Dave Correia with one of Sal’s originals, Swamp Chickin.


Upcoming Gigs

TheCats have been on low-profile for most of the summer, but a few shows are beginning to line up for the fall. September 21 will be our first time at Relish 2.0, then October 15 at the Linsmore Tavern with special guests, and finally (so far) a Sunday matinee at the Black Swan with special guest Omar Saab of the Lonely Hearts.

That’s all for this week!

Be well!

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Bass Toes

In the last few weeks, I’ve caught shows by a few bands that were characterized by a phenomenon I had never noticed before: the Barefoot Bass Player.

So just for fun, here are photos of three players who I know directly or play with who I know. See if you can figure out who is who. Answers next week.


This week!

No photo description available.As Mrs. Félix & the Cats will be away for business for a few days, there may be a few more shows to catch during her time away…tbc.

Today for sure I will be at Long & Mcquade for the new mural unveiling and to catch the Lonely Hearts performing there live, then later it’s off to the Linsmore for FatC drummer Chris Bender‘s cover band Rock Bottom. Should be a fun night!

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That’s all for this week. Be well!

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Amsterdam, dam, dam

img_2279.jpgJust back from a lovely weekend in Buffalo, New York with the lovely Mrs. F&theCats. Impressed by how many big homes there are there and the obvious care the owners devote to the city as a whole. Thanks to the Elmwood Village Inn for being extraordinarily welcoming hosts. Highly recommend this B&B if you are going through Buffalo.

Last night was a long deferred return to the Amsterdam Bicycle Club to say hi to Henry and Laurie and catch some Afro-Brazilian vibes with Bruce Jones, Robin Asher and Lucya Almeida. Great vibe!

Tonight, Tony Oldland is hating a Rolling Stones themed jam at the Salty Dog, so that should be fun.

This Friday, it will be a special night as one of fave bands, the Lonely Hearts, is playing for the first time ever at the Dakota Tavern. Got my ticket and eager for a hot show!

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Hope to see you there!

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Risky Business

The lure of things new, shiny and tenuously linked has always been irresistible for me. This week’s surprise last-minute show at the Linsmore (this Tuesday, June 11, 2019 – 10 pm, for those interested) is a case in point. Not content to stir the pot by subbing in the amazing Omar Saab, lead singer of the Lonely Hearts, for his live debut on bass, as NeMo had a previous commitment, I have also decided to try out a new rig, shown below.

Why not!

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Traynor Quarter Horse 25-watt pedal/amp, the mini pedalboard, Tokai Talbo Blazing Fire guitar and Rexx single-12 speaker cabinet.

Now, these are (almost) all components I have used before, but never in this combination. The binding characteristics is that 3 of the 4 parts of the rig spark joy (those who have seen the clutter in the ManCave may laugh at the irony). All are connected to my past career at Yorkville Sound. The obvious link is the Traynor Quarter Horse which I just picked up this week as the sale price was irresistible (see the pattern?). I was very impressed with the sound right out of the box, particularly when paired with the Talbo, a product line Yorkville distributed in the 80s, and the Rexx speaker, designed by Yorkville (again) alumnus George Krampera. I’ll let you know next week how it all works out.

Also performing that evening will be Ian Alexander Robson at 8:00 PM and Dingo at 9:00 PM. The Facebook event link is here.

So, I do hope you will be there to support live music. Plus the beer is cheap!


Coming Soon

On Sunday June 23, The Cats will team up will Salabama (Sal Indigo) for a special matinee show from 4 to 8 at the Black Swan. More details as we near the date.

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Be well!

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Hunkering

Super thanks to loyal friends and fans who made it out for the Black Swan show this past Saturday, considering how many other things were happening as it was Easter weekend.

A special thank you goes out to Fraz and Emmy for being there so often, and to Kevin and Jen for impeccable sound. Particularly, I want to recognize Monkey Fightin’ Snakes for an awesome opening set.

 

 


More Upheaval

Work is about to begin in the basement area leading to ManCave Studio, so there may be some disruption to the blog over the next month. The good news is that this has forced us to tidy up and purge a lot of accumulated memorabilia. During that process, some interesting artefacts have surface. Here’s one with a shoutout to the Nerve, a band I worked with a few years back.

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L to R: Alex Vos, David Israelson, Richard Scarsbrook and me.

There may be some show announcements soon…tbc. In the meantime be well!

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Café Solo

I haven’t played a solo show in quite a while, so today’s show at Might & Main Café was pleasant, rewarding and more intimidating than I expected. Overall, it went well with flubs well-disguised and a forgiving audience—thanks!

Thanks to Phillip Vonesh and the staff for the opportunity to stretch outside my comfort zone.


Upgrades

The studio just got a major monitor upgrade, going from the solidly serviceable Yorkville YSM-5s to beefier and crisper Yamaha HS8s. Of course, now I have to remix everything accordingly! So that’s where I’ll be up to for the next long while I think.

More as progress ensues…

Be well!

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To the Max

As mentioned in an earlier blog post, here are more musings and reports from Winterfolk XVII.

On my first evening there (the Saturday), I worked the second floor as stage tech. I was very happy to do so as one of the featured acts was Chloé Watkinson, of whom I have written about a few times already here and here. I have been a fan since seeing her with Park Eddy, introduced to me by Alan Zemaitis, her keyboardist, who also played with me at the very first Félix & the Cats show for a great birthday bash a few years back.

Chloé is a remarkable singer and performer and I was thrilled to help out, and even do a little “maintenance mixing” (don’t touch the EQs!). One of the standout tunes she played that evening is a Max Webster song, Let Go the Line, written and sung on the original release by her dad, Terry.

Here it is:

There must be a Max Webster vibe in the air as there is a also a  recent reissue of another MW song, Diamonds Diamonds featuring the Barenaked Ladies collaborating with Kim Mitchell.

I brought me back to the years Mrs. Félix & the Cats and I lived on Pembroke Street and I could dash across Allan Gardens to catch a Max Webster show at Larry’s Hideaway. It’s good to see that remarkable part of Canadian music history receive deserved recognition.

Until next week, be well!

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Substantial Completion

Finally!

After weeks of work, the isolation room is essentially done.

Here are a few pictures to illustrate.

From top left: the “sauna” with main wall closed—padded door is on the right; the same with front wall open (this is for accessing the mics and drums easily from the front side—it’s pretty tight in there—and moving gear in and out easily; view from the front with wall open; view through the regular door. Bottom row: overhead paired mics in XY pattern—I had previously used the ORTF method but clip limitations make that challenging; cable conduit and sound maze vent for air—drummers with a good oxygen supply keep better time. Bottom right: the drummer’s perspective.

I’ve also added extra cabling so the room can double as a vocal booth or iso booth for amplifiers on overdubs.

Further tests will have to confirm whether it has reduced the outside levels as much as hoped for, but a quick check gives hope that it has gone from unbearable to somewhat annoying, at the very least.


Gig Alert!

While I haven’t stopped playing entirely (a few open mics here and there), it has been rather quiet on the performance front lately. That is about to change as the Cats are back at Relish very soon on Saturday March 2 from 9:30 to 11:30. Please put THAT on your calendars, why doncha!


Winterfolk

This weekend, I will be volunteering at Winterfolk XVII, an annual music festival held in 3 clubs near Danforth and Broadview. You can find me at the Black Swan running cables and setting up mics on Friday and Saturday, then on Sunday evening MC’ing on the 3rd floor at the same venue. Should be a fun gig. More info including the full lineup of artists and ticket prices at the Winterfolk site here!

Until then, be well

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