I’ll leave it up to readers to suss out the title of this post…
It does convert the theme well enough regardless of whether or not you catch the reference, as both a at Winterfolk and this past week at the Linsmore, I was sound tech.
In both instances, I mixed sound from right in front of one of the FOH (front of house) speakers. The Tranzac offered me no choice, but at the Linsmore, it was my choice to bring my own mixer, and use the club’s as a power amp only. The reason is that the house mixer is BEHIND the band, so every adjustment means going on stage while the band is on. Simply not on, as far as I’m concerned.
On the plus side, besides being far less disruptive for the show, the sound quality was much easier to manage and I think made for a good mix, according to both the players and the audience comments I received. Thanks!
On the negative side, it was pretty intense given the console was about a metre from the speaker, especially when the band’s dynamics reached more energetic levels. Nothing wrong with the levels per se in the club further out, just loud up close.
This brought me to investigate hearing protection, which up until now I have not used (tsk, tsk) but I intend on investing in should I do this again. I found this site that does a good job of comparing models based on a variety of factors (cost, comfort, sound quality, etc.). I thought it may be a useful link for others too. Enjoy!
Until next time, be well!